Picasso at the Lapin Agile (Heights Players), directed by Bernard Bosio, is a theatrical gem that transports audiences to the vibrant setting of a Parisian café in 1904. Bosio’s sophisticated and unique approach to the play sets it apart from any other production of the play seen in NYC so far.
The cast, led by Gal Yosepov as Albert Einstein and Leonidas Ocampo as Pablo Picasso, delivers outstanding performances that bring these iconic figures to life on stage.
However, it’s Gal Yosepov’s incredible transformation into Einstein that steals the show. He embodied the essence of the renowned physicist with such authenticity and charisma that it was impossible not to be completely captivated by his performance.
Leonidas Ocampo’s interpretation of Pablo Picasso was equally impressive. He brought a dynamic energy to the stage, capturing the artist’s eccentricities and genius with flair. The chemistry between Yosepov and Ocampo was palpable, creating a dynamic and engaging dynamic between the two iconic characters.
The rest of the cast each shone in their respective roles, bringing depth and dimension to the ensemble. From Claude Choukrane’s exuberant portrayal of Charles Davernow Schmendiman to Sarah Yannie’s charming versatility in multiple roles, every actor contributed to the magic of the production.
The script, penned by the talented Steve Martin, was filled with witty dialogue and thought-provoking moments. Bosio’s direction brought out the best in the material, elevating it to new heights of comedic brilliance.
Overall, “Picasso at the Lapin Agile” was a theatrical experience unlike any other. It was a joyous celebration of art, intellect, and the boundless possibilities of human creativity. I left the theater feeling uplifted and inspired, eager to revisit the world of Picasso and Einstein again and again.